Critical Acclaim for Afinat Records
Prokofiev: Music for Violin & Piano
Jameson Cooper, violin
Ketevan Badridze, piano
AR1601 - Release Date: 9/23/16
Read the Press Release
Donald Rosenberg, Gramophone Magazine
“Cooper treats the lyrical lines [in Violin Sonata No. 2] with loving sensitivity and manages the tricky feats as if they are natural extensions of his nimble artistry. In the Five Melodies, his sweetness of tone and seamless phrasing are reminders of the music’s beginnings as vocalizes… [Violin Sonata No. 1] is a deeply affecting score that Cooper and Badridze, a pianist of bold accomplishment, shape as a series of somber and reflective scenes…”
Terry Robbins, The Whole Note
There’s more lovely duo playing on Prokofiev Music for Violin and Piano, the debut duo CD by violinist Jameson Cooper and pianist Ketevan Badridze issued on the Afinat Records label (AR1601) in celebration of the 125th anniversary of the composer’s birth. The English-born Cooper has long been active in the United States, and is the first violinist with the Euclid Quartet in residence at Indiana University South Bend, where Badridze is also on the faculty as a senior lecturer.
It’s a CD that certainly makes a lovely birthday present, with outstanding playing of the three works on the program: the Five Melodies Op.35bis; the Violin Sonata No.1 in F Minor Op.80; and the Violin Sonata No.2 in D Major Op.94bis. Both performers are in great form, with their outstanding techniques allowing them to explore the emotional depths of the dark and intensely personal F Minor sonata in particular.
Cooper and Badridze have some top competition in this field – I’ve reviewed similar CDs by Viktoria Mullova, Alina Ibragimova, Jonathan Crow and James Ehnes in the last few years – but this is a disc that can more than hold its own. Cooper’s insightful and perceptive booklet notes complete a terrific package.
Mark Estren, Infodad.com
"A top-notch new CD from Afinat offers thoughtful and beautifully played versions of all this music, with Jameson Cooper and Ketevan Badridze showing a fine sense of the works’ very different moods and a truly commendable give-and-take in their performances of the music...
Sonata No. 2 requires a violinist capable of balancing its virtuosic elements with a kind of elegance that would not be out of place in the Classical era, and this is just what Cooper brings to this reading...
There is so much angst in Sonata No. 1 that the music seems barely able to hold it all, and performers sensitive to the content – as Cooper and Badridze clearly are – need to keep the darkness at bay while making it clear just how urgently the abrasive elements want to burst through...
These [Five Melodies] partake fully of Prokofiev’s style, and invite a level of expressive warmth that they receive in full from the performers here."
American Quartets: Antonín Dvořák & Wynton Marsalis
AR1701 - Release Date: 10/6/17
Read the Press Release
Terry Robbins, The Whole Note
The American Euclid Quartet presents two works separated by almost exactly 100 years on American Quartets, featuring works by Antonín Dvořák and Wynton Marsalis… The Dvořák is the String Quartet No.12 in F Major Op.96, “American"... The performance here is warm, effusive, vibrant and dynamic... It seems a long journey from such a completely familiar and frequently heard work to the Marsalis String Quartet No.1 “At the Octoroon Balls".... It’s a long (almost 45 minutes) but utterly engrossing work of seven sections, the longest of which – at ten minutes – is the astonishing opening Come Long Fiddler for solo violin, recalling, in dazzling fashion, the old Black country dance fiddle tradition. Blues, jazz, African, folk, spiritual and ragtime influences abound in the remaining sections, with simply terrific writing and playing: Mating Calls and Delta Rhythms; Creole Contradanzas; Many Gone; Hellbound Highball; Blue Lights on the Bayou. Finally, with Rampart St. Row House Rag, here we are at what Dvořák envisioned and encouraged – the use of New World musical material as the basis for classical composition. It makes perfect sense of an apparently diverse program on an outstanding CD.”
Rafael Acha, Rafael's Music Notes
"From the very first track of this CD we are quite aurally assured of being in the good company of kindred spirits... [Dvořák's F Major Quartet] is given in this CD an exuberantly played performance that on repeated playbacks continues to delight the listener. The Euclid Quartet has a limpid sound, a faultless technique and both musicianship and musicality... With an equal mix of precision and panache, the Euclid takes on the jazz-inflected, freely polytonal musical language of Wynton Marsalis’ At the Octoroon Balls. Marsalis brilliantly spices up his multi-ethnic musical gumbo, creating a vibrantly rhythmic composition that provides the Euclid Quartet with an opportunity to successfully show their virtuosic versatility..."
Jack Walton, South Bend Tribune
Euclid Quartet explores 'American Quartets' on new CD - October 8, 2017 (Feature Story)
"Antonín Dvorák’s “American” string quartet is among the composer’s most famous chamber works, and it’s been recorded many times over the decades. Usually, LP and CD versions of the work find it paired with quartets by other European composers such as Mozart or Brahms.
But for its latest CD, the Euclid Quartet gives Dvorák’s American-themed piece a fittingly American partner: Wynton Marsalis’ String Quartet No. 1: “At the Octoroon Balls.” The album, called “American Quartets,” is a brand-new release, out this week on Afinat Records..."